Auditions for OF MICE AND MEN are now two weeks away. I'm ready. I've augmented the crew I had on the last play with a few specialists - one being a fight coordinator. I've never used a fight coordinator before. This one is warm and friendly - until she has a gun or a dagger in her hands. I've not worked with her before, but I've seen the results of her efforts. Impressive. Should be interesting.
About every actor I know has contacted me - they all want in the play. If half of them actually show up for auditions, I will have a galloping good cast. And of course it helps that I have one of the best scripts I've ever worked with.
The play has a large number of men and only one woman. Since the main woman's dressing room is quite large, I'm tempted to move her somewhere and use that area for farm animals. (I'll have to look - I'm sure there's a form that covers things like this.) Several women I know are interested in the role - it's a chance for an actress to die on stage ... on purpose.
More relaxed now. Paperwork is done, forms forms forms, audition forms, character break-downs, rehearsal schedules, budgets, publicity, yadda yadda yadda. The "director packet" of papers alone is a dozen pages long. I suppose this should bother me, except I have no plan to actually read any of it. I've worked with this group before, I know what they want. As long as the shows I direct for them make money, everybody is happy.
I do miss the days before spirit-killing contracts - when a handshake was enough.
I've had almost all my pre-show meetings. One more to go. I meet with the set decor artist on Friday. I love the designs I've seen so far. The set is going to be light and airy. At the moment I don't know who is going to build the set. At the moment I don't care.
And there you have it - a theatre director's version of a pre-flight check list. I'll let you know how it goes. Count on it.
On my own, with all of my falls.
3 years ago