TO KILL A MOCKINGBIRD

Auditions were last week-end, and went well, considering ...

     (... considering I was using the original version of the play, and the theatre had optioned a REVISED script without telling me. "It will be fine," they said. "Hardly any differences at all," they said ...)

And, of course, there were significant differences. Two actors dropped out because auditions were something less than professional (along the lines of Mickey Rooney saying, "Hey, gang, let's find a barn and do a play!) I stuck it out, and eventually things were smoothed out ... (A word to the pretenders - NEVER hold auditions for a play you haven't actually read.) The show will survive, in fact I suspect it will be quite good. (I love working with ensemble, and many of my "regular" performers auditioned.) On the other hand, I doubt - at the moment - that I will apply to direct at this particular theatre again.

I hate "blocking" a play, which consists of telling actors where to move on stage. Pretty boring stuff, this. Thursday was even MORE interesting. The theatre furnace died, and we rehearsed on a stage with the temperature hovering at 42 degrees. Some would say this is dedication. Some would say it's something else - my hands were shaking so badly I couldn't read my own writing on the script.

Other than that, everything was just ducky. I can hardly wait for the next rehearsal - Sunday evening - to see what new, uh, challenges occur.

They say what doesn't kill you makes you stronger. I think I may go lift a Volkswagon just for fun.

ROUGH DRAFT closes well

     

 

   ROUGH DRAFT closed today after a limited run. I surprise myself by being more disappointed in that fact than I expected to be.

    Certainly the fact of closing doesn’t bother me. I have written many plays, they all have an opening night, a run, a close, and – hopefully – someone somewhere will pick them up and the whole process starts again. Hopefully.

    And I wasn’t expecting a great deal from the company that optioned ROUGH DRAFT. They are the “Shots In The Dark Independent Theatre Company.” … uh-huh. A young group this, figuratively and literally. To my jaded eyes they were children of the old Mickey Rooney school – “Wow, gang, let’s get a barn and do a show!” (And, I suspect, they picked my show to produce because it purposely is inexpensive to stage.)

  Further, I knew from the one rehearsal I saw, they were largely inexperienced in the comedic timing necessary to pace this thing correctly.

  But – I give them this – they had talent. On each performance night they learned something new, and the show was improving measurably by the time the run ended.

 So. Will this work be done again? I suspect it will. Audiences liked it. But I would have liked to have seen this group have a handful of more shots at it, just to see how far they could have taken it.

 

j

 

 

 

 

Ta-d-a-a-a-a-a ,,,,